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The strokes of Jennifer Capriati serve as a clear technical link
in the evolutionary chain of tennis strokes. Taught the game in her formative
years by Chris Evert's father, Capriati's strokes are a chip off the old block...only
with a couple of modern refinements. It's as if Jimmy Evert had learned from
the limitations of Chris' flat hitting style, and in Capriati we saw the new
and improved version of the baseline grinder.
So what were the additions?
More topspin on groundstrokes, and a more substantial loop to generate the
necessary racket head speed for the job.
I was in Florida the year of Jennifer Capriati's emergence on the tennis circuit,
to a genetically engineered media fanfare, as 'the product' hit the
court with sponsorship deals running amok.
Jennifer was playing and winning and smiling and chatting nice breeze.
The media was paying full attention.
The sports companies were paying big money because of it.
Everyone was happy, particularly those who stood to profit financially from
the phenom.
Ah, how
fickle is the marketplace and how shallow it's players: when the teenage Capriati
went off the rails, what followed was one of the most risible acts of mass
cowardice I've ever seen. Those who, not long before, were queuing up to be
part of the aura of success, quickly abandoned Capriati's sinking sponsor-ship,
and the ones who had writ her large for general consumption, under the influence
of the profiteers who run the game of numbers, had soon downgraded her to
a mug shot and a cautionary tale, as if they weren't so much the root of the
problem but a million times removed from it.
Like Seles (but with obvious differences), Jennifer Capriati was never quite
the same after her very public mauling, in her case by a pack of hyenas. I
mean, she had no trouble walking out on court, because it was the only life
she properly knew, and her tennis talent was finally fulfilled at the Australian
and French Open: she came, she played, she conquered.
But Capriati acquired an instinctive distrust of the fake smiles and the plankton
that lives in and around the tennis fish bowl, and she was wary of being mauled
a second time.
What was
most galling was the scale of the ire and sanctimonious piffle, which was
heaped upon one who is allowed to make mistakes: a child.
Unlike the footballers wives and fame wannabees, who have nothing to declare
but their overriding need to declare it, Capriati was an unwitting recipient
of celebrity, and the media had been courted for her by proxy, and without
her full understanding of the Faustian consequences.
Oh, and that stink of hypocrisy and double standards: what
for Capriati was fodder for a public flogging was for Agassi the PR cornerstone
of a marketing campaign to sell a book. Different strokes indeed...
Reading
about Capriati's recent skirmish with a prescription bottle, I came across
the quote without tennis, who am I?, which Capriati apparently asked
of a friend and fellow player.
Free is what it makes you.
Your strings are cut.
The court confines you no more.
The possibilities are now as endless as the view beyond the baseline.
Of course
you are free not to be free, so to speak; to make yourself a slave
of navel-gazing therapy and pharmaceuticals, or to look forever backwards
and spend your second life taking bows and curtain calls for the
first one.
Or you can find out what you might have been if you hadn't been doing something
else. And the stories of those who have had the courage to begin again are
always a good place to start.




